(the content of this page, in from of paragraphs, is posted in reverse chronological order, simultaneously starting on opening ou 20.09.2010, of the current version for www.augustintenea.com)

Because for me painting rises and transcends the everyday struggles, without giving me back from following my usual route... I continue to live in the same autodidact and unblemished state of meditation and creative kneading ennobled, always perfect... by painting each picture.

The canvas is the material I always considered it as being the most appropriate support for my painting, and so, since I have learned and mastered enough its secrets (years 1996- 1997), I have became fully free to paint with all my devotion and trust... the reflections and feelings some of them being fully outlined for a long time in my soul and mind.

Bringing to light the great truths of history - truths ignored by so-called intellectuals and hidden by all kinds of entities - cannot be a coincidence, it is the climax of a natural way of attitudes and approaches... fully and with dignity assumed.

Always... the most recent data about my artistic creation, will be presented, most likely, first by using this site: www.augustintenea.com! 

The painting not being an end in itself... I have never backed down to form and follow a common path, besides an almost continuous state of meditation and creative kneading. This path is the only able to offer us constantly reconciliation with the immediacy of life.    

Like all works of painting that I created and brought to public knowledge in the first ten years of full artistic creation (1997-2007), those whose images are shown in Painting Album "Augustin Ţenea - Painting, vol. II" represent original creations and belong to me as their author.

For full protection, now and over time, of copyright, for the safety of national and international circuit of works of painting... as well as through the second Paiting Album "Augustin Ţenea - Painting, vol. II" I propose to those interested the following:

a. to work coherently, at least at state level, classical archives and electronic archives with the image and features of every work of art-that the painter artist-author considered original and representative for what is himself;   

b. besides recording the image of every painting, the photography of the back support of that work should be archived and this part of the painting - containing the elements that are in a unique correlation, restricts any attempt of doubting the authenticity or the authorship of that work and;

c. especially on sites devoted to art, responsible, there should be mentioned prominently - based on clear evidence - the first public exposure of every work of painting (if it was previously communicated public) or the posted date on that site.